Process & Materials

At Modern Lucid, every piece begins as a vivid concept and ends as a luminous, museum-grade acrylic work of art. This page pulls back the curtain on our creative and production process — from layered design to final mount.

Each artwork is printed on Fuji Crystal Archive Maxima paper, known for its rich blacks and superior color brilliance, then face-mounted under premium Lucid Gloss Acrylic — a smooth, glass-like finish that intensifies color, depth, and contrast.The result? A print that floats cleanly off the wall, resists fading, and turns every viewing angle into an immersive experience

Crafted to Last

A behind-the-scenes look at our Lucid Gloss process.

Fuji Crystal Maxima Paper

Features Optimized silver halide crystals for laser exposure, yet optically compatible. Its high maximum density results in great shadow details and beautiful deep blacks. Exceptional color gamut increase of min. 10% Especially developed for the gallery & museum market and their high-end prints.

Face-mounting under Lucid Gloss Acrylic

Acrylic is pressure-mounted to the print surface — seamless, vibrant, and archival.

Precision Alignment

Each print is manually aligned and inspected for clean edges and exact registration.

Inspected under controlled lighting

Every surface is reviewed under full-spectrum studio lighting to detect flaws.

Final polish and inspection by hand

Gloved technicians polish each panel for a flawless, reflective finish.

Pure clarity through premium Lucid Gloss

Our proprietary Lucid Gloss method brings depth and glow to every image.

Mounted with a museum-grade floating system

Invisible mounting hardware ensures a clean, gallery-style display.